Diving into ancient crap

I was late. I had badly underestimated how long it would take to walk. Distances always look at lot closer on maps.

It was November yet it was incredibly hot and dry. I had walked along unfathomably long ‘boulevards’, devoid of anyone other people. After an hour and a half, and probably a gallon or two of sweat, I was greeted by a life-sized model of a Tyrannosaurus rex in combat with a Triceratops. I had arrived at the Natural History Museum of Los Angeles.

The quite spectacular battling Tyrannosaurus and Triceratops sculptures outside the Natural History Museum of Los Angeles. (Image by author)

After seeing the amazing palaeontology collections with Sam Mcleod, I walked into Xiaoming Wang’s office. I’m on a research visit to find out how museums in America work with schools, and to find out how these museums are so much more successful at receiving donations than museums in the UK. I feel instantly at ease. Xiaoming’s kind, softly spoken manner emanates genuine interest and enthusiasm for what we were talking about, and conversation flows effortlessly.

His office is a familiar curator’s office (albeit much tidier than mine). Shelves are full of books and articles – I notice a giant ground sloth toy on one shelf. I smile when I spot a ‘I’m a palaeontologist’ badge on the large table where we sit. Next to the small yellow badge were five classic white card, shallow museum boxes. After waiting until after we had finished discussing the schools and donations work, I blurted out, a little too excitedly, “Oh, nice coprolites.” A flicker of surprise crossed Xiaoming’s face before he smiled. Thinking back, there are probably very few people you could say ‘oh, nice coprolites’ to, and not get a confused expression on their face. Coprolite is the scientific term for fossilised poo. I guess it was better than saying ‘oh, nice poo.’

“They are lovely.” Xiaoming said quietly as he picked up a box. “These are very exciting coprolites. They were made by Borophagus.

He moved the box around. Small white bone fragments caught the light. He looked up and smiled when I said I knew about bone-crushing dogs. These were a group of canids that broke away around 33 million years ago, and lived until just 1.8 million years ago across all of North America. The group are known as bone-crushing dogs because it is thought they ate bone as well as meat based on the anatomy of the skull: a large crest on the top of the skull where a huge muscle would have attached giving it a bite with an enormous force; big strong teeth, similar to the modern spotted hyena. Xiaoming tells me excitedly that these are the first Borophagus coprolites ever found. It was difficult not to share his excitement. As two curators from two different continents, we both had a wonderful understanding of the importance of these few card trays. But I could not write about them just yet. Xiaoming and colleagues were writing an article about these unique fossils.

Four of the coprolites on Xiaoming’s table. They may not look like much, but these are balls of 6 million year old fossilised poo. (Photo by author)

And now the article is published, with a refreshingly simple title for a scientific paper: ‘First bone-cracking dog coprolites provide new insights into bone consumption in Borophagus and their unique ecological niche’. It turns out that you can get an awful lot of information from a few pieces of fossilised crap.

These 14 coprolites were found in 6 million year old sediments. You can see immediately that they were made by a carnivore: they are packed full of bone fragments. Fossils of several carnivores have also been found in this layer, including two species of Borophagus, an ancestral badger, an ancient species of wolverine and an old species of cat. Any of these carnivores could have made the poo, but because of the large size, and that the coprolites are jam-packed full of fragments of bone, it is more than likely that they were produced by Borophagus, more specifically, the commoner species that is found in this layer, B. parvus.

The massive, thick skull of Borophagus on display at the Natural History Museum of Los Angeles. The only evidence that these dogs were bone crushers were their large skulls and thick, strong teeth. (Image by author)

14 small, round-ish white 6 million year old balls of crap. How important can they really be? “Since we cannot observe the extinct animals, coprolites are the next best thing in terms of studying what they eat,” Xiaoming tells me over email as he is on his way to Mongolia for another palaeontological dig. “Information such as what animals eat are seldom available, and the coprolites offer a wonderful opportunity to make such observations. The fact that large numbers of bones are preserved in the coprolites speaks volumes about their bone consumption.”

And they are packed full of bones. Most of the bones are fragmentary and unidentifiable. But there are a few that hint at a previous animal: a bird bone; a beaver ramus; the rib of a large mammal; and the skull fragment of a medium mammal. This shows that these bones crushing dogs had a very varied diet and ate a large range of animals. Interestingly, these coprolites also show, that unlike the spotted hyenas (Crocuta crocuta) around today, they wouldn’t have crunched up an entire skeleton: the bone fragments in the coprolites were not completely dissolved indicating that the stomachs were not the same as spotted hyenas.

One thing that surprised me, was that this was the first evidence of Borophagus poop ever found. In England, and many sites in Europe, cave sites are full of hyena poop. I wondered whether the bone-crushing dogs were cave species too, or we they living out in the open. “As far as I know, there have never been cave borophagine dogs.” Xiaoming writes. “You are probably right that borophagine dogs are open pursuit predators that preferred open countries.” It also appears that there were less cave sites in North America than in Europe, because the States were drier compared to a more humid European climate producing more water to dissolve the limestone.

One of my favourite early illustrations. William Conybeare drew William Buckland crawling into a cave full of hyenas. This was based on Buckland’s research at Kirkdale that showed the fossils there were from an ancient hyena den. (Image in the archives at Oxford University Museum of Natural History, from here)

As well as the diet, and a hint at the biology of this extinct animal, the coprolites also provide a fascinating glimpse into an ancient behaviour. With such a large concentration of coprolites found in this layer, it is possible that this was social defecating in Borophagus parvus. The coprolites would have formed clusters, just like hyenas and wolves today defecate mark territory. Hyenas and wolves are both highly social animals, and with Borophagus poop in such abundance in this layer, and in such a similar shape, it is more than likely that the bone-crushing dogs were social animals too.

Although common in cave sites in Europe, hyena coprolites break down extremely fast out in the open. Rain water dissolves the coprolites to mush very quickly because of their high carbonate concentration (inside caves the poo is protected from the outside environment). For open country predators, like bone-crushing dogs, evidence of their poo would have been washed away quite quickly. And that makes these 14 ancient balls of poop extremely important.

I asked Xiaoming if he thought we would find any more Borophagus coprolites. As I read his response, I could almost hear him softy say these words with a smile on his face and glint of excitement in his eyes, “One should never say never, but it took palaeontologists more than 100 years to find the first coprolites of these bone-crushing dogs. That gives you an idea of how rare these things are.”

Written by Jan Freedman (@JanFreedman)

This post is based on the research by Xiaoming and colleagues, which is published here:

Wang, X., & White, S. c., Balisi, M., Biewer, J.,Sankey, J., Garber, D., & Tseng, Z. (2018). ‘First bone-cracking dog coprolites provide new insight into bone consumption in Borophagus and their unique ecological niche.’ eLife. 7. 10.7554/elife.34773. [Full article]

Further Reading:

Dalquaest, W. W. (1969), ‘The Bone-crushing dog Borophagus diversidens Cope,’ Quaternary Journal of the Florida Academy of Sciences. 31. pp.115-129. [Full article]

Prothero, D. R. (2006), ‘After the Dinosaurs; the Age of Mammals,’ Indiana University Press. [Book]

Wang, et al. (1957), ‘Phylogenetic systematics of the Borophaginaw (Carnivora, Canidae)’, Bulletin of the AMNH. 243. [Abstract only]


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The End of the Ice Age

The end of the Ice Age. Around 10,000 years ago. This was not only the end of the last major glacial period where great glaciers spread across the northern hemisphere, this was also the end of so many incredible animals. Animals that were so fantastical as to belong in science fiction movies. Animals so stupendous as to be conjured by our imaginations. They were real. Enormous sloths. Humungous cats with sabres for teeth. Massive shaggy elephants. All real. And all walking, stalking, and stomping until very recently.

A new graphic novel by the talented Ted Rechlin, End of the Ice Age, transports you back to a time when these beasts were surviving. Rechlin takes you to north America to see how a family of Smilodon struggles to survive, and over 3000 miles across Europe to witness other species living on the colder tundra.

Life back then was not so different from life now. The animals had to eat to survive. Some animals had to avoid being eaten to survive. Just like animals do today. Living in cities, we are so far removed from the wild, that we often forget that this is a daily struggle for every species on the planet. Find food. Find a mate. Survive.

This book, with its gorgeous comic book style illustrations, opens up this world, making it as real as something today.

We are lucky enough to provide a little preview of the book for our readers below. Take a glimpse of the story. Of the powerful characters. Of the beasts. At the End of the Ice Age.

You can order End of the Ice Age here.

Ted Rechlin has done some other amazing art work on prehistoric life with the publisher, Rextooth Studios.

For more of Ted’s work read Just like the weather.




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[The following autobiographical short was my submission to the Hugh Miller writing competition 2017-2018 for which I received runner-up prize in prose.]

I was about six years old when I first tried to listen to the past. Holding a fossil ammonite to my ear I strained to catch a hint of prehistory, the way you can hear the seaside from a seashell. In a roundabout way, the experience coloured my whole life. I couldn’t hear dinosaurs roaring or ichthyosaurs spouting through my little ammonite, but an early introduction to fossils and extinction boggled my growing mind so much that I’ve spent many of the years that followed immersed in remnants of ancient life. Little me was standing on the island of Raasay- a small, rarely visited scrap of land off the west coast of Scotland. Famous chiefly for entertaining Johnson and Boswell, having its own subspecies of bank vole, and its varied geology, Raasay is not on the tourist trail. The island was and is home to a fervently Presbyterian Free Church. My own dad (a lapsed geologist) took me fossil hunting here, and such is the abundance of material even a small child can find belemnites, ammonites, and the like. My mother’s side of the family, in the beautiful Gaelic phraseology, belong to Raasay. In a way, I do too. My maternal connection ties me to the barest soil of this patchwork island. Linked to the family who entertained Johnson, sheltered Prince Charlie. Memories of childhood summers tie me here with stronger bonds than just genetics.

I remember the first fossil trip, from the pre-Cambrian of my own life, with a startling vividity. We had set off from our wee caravan in Inverarish, the largest village on the island. Walking past the quiet houses. Walking past the silent playpark with the padlocked swings. There was rain, of course. You cannot visit the west coast in summer and avoid it. The drops bounced off the grass at the side of the path and mingled with the mud. The bracken, copious and verdant, was prehistoric in appearance, acting as a signpost to the past we were going to visit. Travelling east through fields of hardy sheep, I remember complaining, as small children do, about the distance, the weather, the time it was taking. Looking back now, I cannot ever remember being happier. Family united in a quest. A father wanting to share the joy of finding. A mother showing the places of her youth. A treasure hunt for understanding. I didn’t realise any of this; I was six. When we got to the coast and I had been shown how to look for stones of the right size and shape I spent some time among the rocks getting my eye in and scrabbling around. Taking my finds to my father and dropping them at his feet he apported a small hammer and gently tapped each one. This was a new kind of magic. There were things inside. Stone cylinders that I learned were called belemnites: the cuttlebones of squidlike creatures that had swum in tropical seas. In one, there was part of a coiled shell: an ammonite. It reminded me of a seashell, I put it to my ear.

Since that Summer, thirty years ago, so much has changed. I didn’t know it at the time, but my mother was sick. She died a year later from the cancer that spiralled within her. I grew up and made the study of the past my career. A fractal hope that learning about fossils and extinction would help me to preserve knowledge of my own past. If only there was a taphonomy of the mind that could preserve memories and feelings the way the soft earth does! Since then I’ve striven to keep each memory of my early years properly curated. Each impression must be prepared correctly, adhering matrix removed, content inspected. In my private museum of the mind, I am the curator of memories. They can be taken off shelves for display. Replayed and rethought.

Sometimes they degrade. Sometimes, all I’m left is a shadow of a thought where a memory used to be. Sometimes, what I believed to be treasure is revealed as worthless. A curator’s job is to constantly scrutinise their collection, whether it is fossils or memories. Still, throughout everything, my little ammonite sits on a shelf in the sunshine, waiting to be picked up.

I couldn’t hear the past then, but I can now.

A picture of me and my dad taken on one of our holidays to Raasay

A picture of my mum, Alice Barnett, née Macleod

Written by Ross Barnett [@DeepFriedDNA]

Read more about the Hugh Miller competition here.

Read about Hugh Miller’s brush with deer fossils here.

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From Russia with love

In the frozen desolate lands of north eastern Russia, there is a unique mammoth graveyard. This graveyard is different than other fossil sites in the world. After being exposed for the first time in tens of thousands of years, the bodies are fresh: flesh is soft, the stench of death is overwhelming. Instead of the dead entombed in rock, they are trapped in frozen soil. When this soil starts to melt, it is mushy, sticky, messy. A little like a chocolate cake.

Frozen remains have been found across Siberia for centuries. Carcasses were so fresh that in the late 1700s they were thought to be giant underground rats: these behemoths used their enormous tusks to dig huge tunnels underground. They fed from the Earth. They also knew when they were going to die, for they dug out of the ground to die on the surface, which is why they are found half sticking out of the ground. It’s quite a marvellous idea, but sadly these were not giant underground rats. They were mammoths.

The Adams Mammoth, illustrated in the early 1800s before it was fully excavated. The trunk of this mammoth was scavenged and missing from the specimen. The pointing back tusks may be a nod to those giant underground rats. (Image Public Domain. From here)

Over the years hundreds of thousands of mammoths travelled in great herds across Siberia. Herds moving back and forth, following the seasonal changes, following the food. Many died on this journey. This harsh environment claimed the young as well as the old. The dead may stay dead, but they can speak of their time on Earth.

The most complete frozen mammoth, and arguably one of the most beautiful, was found relatively recently. She was small and exceptionally persevered. A few years ago, I was fortunate enough to see her on display at the Natural History Museum, London. Only once have I ever seen anything more beautiful.

About as long as my arm, she was almost perfect. Her small trunk curved down and in. The ear was nothing like the modern elephant’s: it was tiny. She wasn’t covered in fur like I expected, this had been lost, but there were two small patches of fur, giving a glimpse of the colour of this little mammoth. She was inches away from my face. Secure behind thick glass, positioned carefully in an environmentally controlled case, she sat silently as I, and hundreds of other visitors, looked at her with awe.

Her name is Lyuba. She is a very young woolly mammoth (Mammuthus primigenius). And she is a thing of rare beauty.

The beautiful baby mammoth, Lyuba. (Image Matt Howry. From here)

Today Lyuba is in the collections at the Shemsnovskiy Museum and Exhibition Centre. But she almost never made it to the public eye.

Astonishingly, she was discovered separately three times. Firstly she was seen in September 2006 by a reindeer herder Niklola Serotetto, but he didn’t report the find. The following year in May 2007, another Nenets reindeer breeder and hunter, Yuri Khudi, and his sons came across the small mammoth. Khudi travelled across land to find a friend to speak to about the discovery. When he returned, Lyuba wasn’t there. She was discovered by a third reindeer hunter and moved to the nearby village of Novyy Port. Here Lyuba was placed outside a shop, where dogs had chewed off an ear and most of her tail. She was reclaimed by Khudi, who made arrangements for her to go to the Shemsnovsdkiy Museum and Exhibition Centre.

In honour of her discoverer, and his tenacity at making sure this frozen mammoth was safe for future generations, she was named after Khudi’s wife: Lyuba. Which also means love. Perhaps there is no better name for this animal.

Despite being 41,000 years old, we have found out a surprising amount of information about Lyuba.

She was found lying on top of ice by the side of a river. This is pretty unusual for frozen specimens in Siberia: normally they are found half exposed, with other bits of them still frozen in the ground. Some carcasses are fully exposed, as the ice melts in the summer months, but these are partly eaten by scavengers. Lyuba was perfect, which was a bit of a mystery. After visiting the site, mammoth palaeontologist Dan Fisher along with a few colleagues soon discovered how she became to be lying there. During the warmer months, ice alongside the river melts and sometimes large chunks break off and float downstream. It is likely that Lyuba, possibly still enclosed by some ice, broke off and floated down the river. Luckily, she didn’t float too far, or stay in the water for too long. She became grounded at the side of the river, lying in silence with the high pitched whistle of the wind blowing over her.

She is the best preserved mammoth in the world. Missing an ear and parts of her tail from being chewed off by dogs, and missing her toenails, she is externally near complete. Only a few small patches of fur remain, showing she was (probably) light brown-orange colour when she was alive. A recent study shows that her internal tissues were incredibly well preserved. Strangely, these were very acidic whilst the collagen structures (like bone and cartilage) were broken down. This suggested that lactic-acid bacteria had colonised her body, preserving the internal organs perfectly, in a similar way to how museums preserve specimens in formaldehyde.

A CT scan of Lyuba, showing the incredible details of her insides. (Image Ford Motors, for the International Mammoth Committee)

With this incredible preservation of her insides, we have found out a lot about her short life. Some of her mother’s milk was found in her stomach, showing that she fed soon before she died. Scientists also found some mammoth dung in her intestines. This isn’t as strange as it sounds. Elephants today may eat their own dung, especially during tough times. For young calves, this is a good way of developing their digestive system ready for eating the tougher vegetation that they must when they wean off their mother’s milk.

Lyuba was small. And she was still getting milk from her mother. But do we know how old she was when she died? Incredibly, we do. Detailed studies of her teeth which looked at the neonatal growth lines, indicated she was only 30-35 days old when she died. Looking at the chemical isotopes in her teeth (which can provide clues to what vegetation was growing around the time of her death), we even know that she was born in the early spring.

Her body shows that she didn’t die of any broken bones and was a very healthy calf. Because her organs have been so well preserved, we know how she most likely died. Detailed CT scans show her oesophagus and trachea were all filled with mud, suggesting she suffocated. We would know more if she was found in the original place where she died, as the surrounding area would give more information. Based on what evidence there is, it appears Lyuba got stuck in mud at the side of a river. Her little body didn’t have enough power or strength to pull herself out, and she slowly sunk into the mud and suffocated.

Did mammoths mourn for their dead? Elephants have been seen to push a dead relative with their trunk and feet, and stay by their side for days. Both African and Asian elephants have been shown to carry out this behaviour: an awareness of their dead. Modern African and Asian elephants split around 7 million years ago, and the first mammoths split away from Asian elephants around 5 million years ago. It is very likely that they shared this behaviour.

It is not difficult to think of Lyuba’s mother, with her herd nearby, standing close to the river near the spot where she died. Perhaps trumpeting. Perhaps tentatively moving closer and then stepping back with those huge feet. For a day. Or maybe for a few days. Before the cold, icy Siberian winds blew through their thick fur, pushing them onwards.

Written by Jan Freedman (@JanFreedman)

Further reading:

Find out more about woolly mammoths in our post about them here.

We wrote about another find in Siberia, which lead to possible cloning hopes.

Discover all ten different species of mammoths in our post here.

Barnes,, I. B. et al. 2007. ‘Genetic structure and extinction of the woolly mammoth, Mammuthus primigenius.’ Current Biology. 17:1. pp.1072-1075. [Full article]

Fisher, D. et al. 2012. ‘Anatomy, death, and preservation of a woolly mammoth (Mammuthus primigenius) calf, Yamal Peninsula, northwest Siberia.’ Quaternary International. 255. pp. 94–105. [Full article]

Fisher, D., et al. 2014. ‘X-ray computed tomography of two mammoth calf mummies.’ Journal of Paleontology. 88 (4). pp.664–675. [Abstract only]

Kosintsev, P, et al. 2012. ‘Environmental reconstruction inferred from the intestinal contents of the Yamal baby mammoth Lyuba (Mammuthus primigenius Blumenbach, 1799).’ Quaternary International. 255. pp.231–238. [Full article]

Lazarev, P., Grigoriev, S., & Plotnikov, V. 2010. ‘Mammoth calves from the permafros of Yakutia. Quaternaire. Hors-Serie. 3. pp.56-57.

van Geel, B, et al. 2011. ‘Palaeo-environmental and dietary analysis of intestinal contents of a mammoth calf (Yamal Peninsula, northwest Siberia).’ Quaternary Science Reviews. 30(27-28). pp.3935–3946. [Abstract only]

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Under the boot of man

Working in a museum I come face to face with life’s extraordinary diversity every day. Specimens a few hundred years old tell us of the richness of life right beneath our feet. Older specimens provide a glimpse into amazing animals and plants of the past. I am extremely lucky to be able to discover and learn new things daily, and to be able to share this with the public. Individual species; individual specimens; individual collectors: they all have their own little stories. Stories that stop all museum collections from just being ‘in a dusty old store room’. Stories that make sure that millions of specimens do not remain silent in death.

There are dozens of different stories within museum collections. Of course there’s the ‘famous’ specimens from those well-known collectors, but there is much, much more. There’s examples of life’s biodiversity on your doorstep. There’s the curious characters of collectors and the strange motivations of collecting. There’s the evolutionary links between animals, and unique features. There’s millions of years of geological history in a few drawers of minerals. The story of life: museum collections are a record of life, life around us today, and life that has vanished. I could go on.

Perhaps the most poignant story in all museums across the world is extinction. Ancient fossils tell us of life that once was. Memento Mori! Even with modern specimens there are species that are now extremely rare or extinct. These modern extinctions are often the most striking and shocking: because humans definitely caused them. Some extinctions maybe indirectly as a result of humans. Woolly mammoth populations were already shrinking because of the warming climate, and human hunting was an additional pressure that these giants couldn’t save themselves from. The dodo is a classic example of extinction, although humans didn’t hunt them to extinction, it was the other animals that we brought to the island that caused their doom.

There are a number of more powerful examples of extinction. Steller’s sea cow, became extinct just 27 years after it was formally named as a species. It was hunted for its meat and no doubt the sailors had no idea the devastating impact they had. The thylacine is another infamous example of how easily a species can be exterminated forever: purposefully hunted because of their threat to livestock in Australia, these enigmatic marsupials were purposefully wiped out just 82 years ago.

There is one example of extinction caused by humans is the most brutal of all. Brutal. Shocking. Gut-wrenching. Thoughtless. Stupid. It is hard not to get emotional when reading accounts of the mass genocide of the Great Auk.

Differences in seasonal plumage and individual variation in egg patterning in great auks. Public Domain

Eggs of two great auks (their Danish name is Geirfugl, related to the English Garefowl), stored in Copenhagen museum. Image ©Ross Barnett

Pinguinus impennis, the great auk, was an impressive, large, flightless diving bird.  Similar in appearance to its close relative, the cute razorbill (Alca torda), only it was much larger, reaching almost a meter tall. An enormous, sharp, curved, black beak protruded proudly from it’s black feathered face. A beak perfect for catching slippery fish in the cold North Atlantic waters. And it was very agile in the water: small stubby, flipper like wings, propelled it through water with ease. A thick layer of fat kept it warm in the cold north (the scientific name Pinguinus means ‘plump’ referring to the somewhat chubby appearance of this bird). This was an impressive bird. Too impressive to have had such a bloody and brutal end.

A gorgeous wood engraving of a Great Auk by Thomas Bewick. (From ‘A History of British Birds’, 1804) Image from here.

Living off the rich fishing grounds in the North Atlantic, the great auk was found along the coasts of Britain, Ireland, France, Greenland, Iceland, Norway, north east America and the Faroe Islands. This was once an incredibly widespread bird. Whilst spending most of the year in the open waters, they needed land for breeding. Great auks were quite specific about where they bred. Preferring islands that were very rocky, they also needed to have slopes for easy access to and from the sea: these birds were no ballerinas on land. The islands had to be at a good enough distance from the mainland so that polar bears couldn’t get there. Just seven breeding islands are known, although there were undoubtably more in the past. Hundreds of thousands of birds came to these islands once a year to meet their mate: the great auk had a single mate for life. Year after year they would return to the same spot, with the same partner, and spend their time on the island rearing just one egg.

Beautiful painting of great auks nesting. The painting is titled ‘The Great Auks at home’ by John Gerrard Keulemans. (Image Public Domain)

Great auk painting by John James Audubon. Public Domain

In a cruel twist, these islands that created life would become islands of death.

As with so many animals, the great auk had their natural predators. Killer whales (Orcinus orca) would hunt them when they were at sea. And whilst on land nesting, white tailed eagles (Haliaeetus albicilla), arctic wolves (Canis lupus), arctic foxes (Vulpes lagopus) and polar bears (Ursus maritimus) would hunt them. For around 100,000 years great auks had lived and survived with these predators.

Humans have hunted great auk as a source of food for tens of thousands of years. Bones from the incredible Neanderthal site at Gibraltar show that they were eaten around 100,000 years ago. For modern humans they have been captured in cave art around 35,000 years ago in Spain and again in France around 25,000 years ago. Sites across Europe and in North America have held bones of great auk, fascinatingly with many of these sites associated with human burials. One site in Newfoundland, dating to around 4000 years old, had over 200 beaks, suggesting the body was wrapped in a cloak decorated with the large beaks of this bird. There was certainly something that gave the great auk an air of respect to humans all those thousands of years ago.

It appears this admiration and reverence disappeared as Europeans began to set sail and explore the oceans in the 16th century. And it was this greed that catastrophically tipped the balance.

The breeding islands were well known by sailors as an important stop off to replenish their food supplies. The French explorer, Jaques Cartier, travelled across the Atlantic in 1534 to search for new rich lands. He was the first European to discover Canada, which he claimed for France. Before landing, his ship stopped at Iles-aux-Oiseaux to replenish stocks. Here they slaughtered over 1000 birds: the majority of which were great auks. Many sailors over the years exploited the breeding colonies for meat and eggs: one captain notes that 100,000 eggs were taken in a single day. 100,000!! For a bird that only produces one egg in a batch, this amount of eggs taken would have been utterly disastrous.

The known range of the Great Auk. The North Atlantic ocean was busy with sailors exploring new lands, which had a huge impact on their populations. (Public Domain image)

They were not only used for their meat. Their thick greasy oil which kept their feathers from getting wet, was used for fuel. Killed in their thousands, fisherman collected thousands of litres of oil. And this oil was good for burning fires too. The great auk breeding islands had no trees or vegetation that could be used to make fires. So the sailors made fires with bodies of the birds. Horrifically, these fires were used cook other great auks.

Fires fueled by the rich oils were also used to boil water that boiled great auks. Boiling the birds was one was of getting the feathers off. Their feathers were very sought after, and hundreds of thousands of these birds were killed to supply the huge feather industry in the late 1700s. Collecting feathers from the great auk was perhaps one of the most brutal ends of the great auk. If they were boiled, the featherless carcass was thrown over a cliff. Often the men didn’t even bother to boil them. Or even kill them first. This is from a 1794 diary extract:

“If you come for the feathers you do not give yourself the trouble of killing them, but lay hold of one and pluck the best of the feathers. You then turn the poor Penguin adrift, with his skin half naked and torn off, to perish at his leisure.”

Within just a few hundred years since they were first overexploited by Europeans in the 1500s, populations of this beautiful bird had plummeted. So much so that in 1794, Great Britain banned the killing of this bird (except for fishermen using their meat as bait). Bu it was already too late. Where there were once hundreds of thousands, there were now just dozens. Because they had become so rare, collectors were offering large sums of money for specimens. They vanished in Britain in 1840.

Island by island they were disappearing. Their last stand was on Eldey Island, off Iceland.

Great Auk statue on Iceland looking towards Eldey Island. Photo ©Ross Barnett

In 1844, fishermen killed the last two known great auks on Eldey Island to supply a museum collector. The birds tried to run from the attack, but not being very quick on land, their waddle only got them so far. Their necks were wrung. The pair had been sitting on the island with no others of their kind around. They were the last. Alone. But they were creating another. On the empty island, they sat on an egg. The last egg of an entire species. It was crushed under the boot of one of the fishermen.

The Great Auk met a bloody end. Today there are so many animals on the brink of extinction. Pangolins, the adorable scaly mammals, are exploited for trade. Rhinoceros and elephants too often meet horrific deaths by poachers. Tigers are hunted for their fur and bones for traditional medicines. These, and so many more animals, are terrifyingly close to vanishing forever. The story of extinction is not just in the past.

Surprisingly there are only a few specimens in museums today. Around 80 taxidermy specimens and a few dozen eggs worldwide can be seen on display: telling their story in death. And those last two poor individuals brutally killed? Their insides are preserved at the Natural History Museum of Denmark, and until very recently, their skins were lost. Genetic analysis of the preserved insides and testing of different skins matched one specimen at the Royal Belgian Institute of Natural Sciences, Brussels. Sadly the female skin is not yet found. For these birds that spend their lives finding each other every year to mate, it would be some kind of wonderful to be able to find the female and reunite them once again.

Soft tissue of the last two auks killed on Eldey. If you look closely you can see the label says “Alca impennis 1844”. Stored at Copenhagen Museum. Image ©Ross Barnett

Postscript: Have a look at #TheLostAuk tweets for lots of amazing images from museum collections around the world.

Written by Jan Freedman (@JanFreedman)

Further reading:

Bewick, T. (1847). ‘A History of British Birds. Volume 2: Water Birds.’ Newcastle. [Book]

Bourne, W. R. P. (1993). ‘The story of the Great Auk Pinguinis impennis.Archives of Natural History.20(2). pp.257-278.

Cokinos, C. (2003). ‘Hope is the thing with feathers: A personal chronicle of vanished birds.’ New York: Warner Books. [Book]

Crofford, E. (1989). ‘Gone forever: The Great Auk.’ New York: Crestwood House. [Book]

Fuller, E. (2003). ‘The Great Auk: The Extinction of the Original Penguin.’ Bunker Hill Publishing. [Book]

Gaskell, J. (2003). ‘Remarks on the terminology used to describe developmental behaviour among the auks (Alcidae), with particular reference to that of the Great Auk Pinguinus impennis.’ International Journal of Avian Science. 146(2). pp.231. [Abstract only]

Gill, A., & West, A. (2001). ‘Extinct’. Channel 4. [Book]

Meldegaard, M. (1988). ‘The Great Auk, Pinguinus impennis (L.) in Greenland.’ Historical Biology. 1(2). pp.145-178.

Moum, T., Ulfur, A., & Einar, A. (2002) ‘Mitochondrial DNA sequence evolution and phylogeny of the Altantic Alcidae, including the extinct Great Auk (Pinguinus impennis).’ Molecular Biology and Evolution. Oxford University Press. 19(9). pp.1434-1439. [Full article]

Stringer, C. B., et al. (2008). ‘Neanderthal exploitation of marine mammals at Gibraltar.’ PNAS. 105(38). 14319-14324. [Full article]

Thomas, J. E., et al. (2017). ‘An ‘Aukward’ tale: A genetic approach to discover the whereabouts of the Last Great Auks.’ Genes. 8(6). pp.164. [Full article]

Tuck, J. A. (1976). ‘Ancient peoples of Port au Choix: The excavation of an archaic Indian cemetery in Newfoundland.’ Newfoundland Social and Economic Studies. St John’s Institute of Social and Economic Research. Memorial University of Newfoundland. 17. p.261. [Full article]

Posted in great auk | Tagged , , , , , , | 2 Comments

Standing Proud


There’s been a huge buzz about the early Mesolithic dates of the Shigir wooden figure, from Ural Russia, and it isn’t too often we can incorporate human activity into the Pleistocene in such a very direct way! This blog is a little step to the side for us, as we get to take you on a pretty wild and wacky journey from 9600 BC through to only 2000 years ago! 

There are stories from the deep past we won’t ever hear with our ears, but that’s not to say we cannot hear them. Archaeology tells those stories, the ones that I think matter.  The past I’m talking of is the one wrapped in skins and furs against the spiteful cold of the Younger Dryas. It has wise eyes and a hopeful heart; it knows what sustenance may still grow in snow and biting cold, and knows where the animals go to drink deep in parched summers. That past is carried in each and all of us, we are here because our ancestors survived the ice and cold with wisdom, courage and plain stubbornness. There’s times, however, something is found in bog, field or lake which beckons us to gather round in a circle, sit down, put the phone on silent, and listen to the past intently.

The Shigir wooden idol is one such object. It is an enigmatic wooden figure which, I admit, I could spend days just looking at, and ‘listening’ to, for it must have such a story to tell of the people who made it. It was found in a peat bog (all the best things are, imo) 100km north of Yekaterinburg, Russia, at the end of the 19th century. It stands head and shoulders (literally) above other objects of the past as it would have measured around 5 m  when complete, a tower of song, stories and memory set down some 11000 years ago. It is made of larch wood, and decorated with deep zig-zag lines on the torso, with 8 intriguing smaller faces carved as part of the design of the body. All the faces are unique and expressively stern.


The Shigir figure, from N.M. Chairkina , 2014, p85. Look at the little faces all along the body!

It’s likely that the cosmologies and foundation myths of these ancient, clever people intertwined with memory of group effort, celebrating those who made it through the ice. Think how delicious it is that when you look at these images on pixels made of light and colour on your computer, you may well be looking at remembered faces of tribal leaders, or of ancestors.


Is he Groot? A face from the deep past;one of the Gorbunovo wooden figures, from Chairkina, 2014.

Pollen samples taken from the Shigir peat bog show the presence of tall trees such as larch and pine through the last days of the Younger Dryas and the start of the Pre Boreal phase (11kya to 9.8kya BP), allowing some reconstruction of the site, showing that sometime around 9600 BC (cal.), someone, or a group of someone’s, made this massive and meaningful figure, as guardian or statement. There are others of this time, too; Shigir bog may have produced other figures, while the  Gorbunovo bog , also in the Urals, has an entire collection of wooden ‘people’, ranging in dates between the late 4th–early 2nd millenniums BC, firmly during the Eurasian ages of metal. There are also notable and wonderfully vital animal carvings; horses, deer and bison represented with flair and understanding.


The Red Man of Kilbeg, Ireland. From Stanley 2006

These Eurasian people were highly mobile hunter gatherers, following herds and living in balance with their environment. They say that this lifestyle allows more time for observation and understanding of the environment. This wisdom perhaps was cast aside to some extent during the Neolithic agricultural expansion, when humans were tamed by the crops they grew, to live in one settled place. We are not likely to know exact details of what beliefs were held. We might catch glimpses of it, though, through objects of the past, like the Star Carr stag tine head-dress, or the Sorcerer of the Cave of the Trois-Frères in France. Equally, we might catch reflections of it in surviving indigenous cultures, such as the Ugrian people of Eurasia.

The Shigir idol is the first known example of wooden ‘idol’ figures, which enjoyed a remarkable longevity of use and meaning (whatever the meaning actually was).  Somehow, they travelled westwards over time, along with metal use and horses and domesticated animals as a whole. They are found all over western Europe, often associated with toghers and trackways, the wooden paths across wetlands and bogs, suggesting they held some sort of guardian status for travellers.

The cheeky little grinning oak man from Houten, Willemstad, in the Netherlands, dates to the junction of the Mesolithic and Neolithic, around 6400 BC and seems to be the earliest in western Europe.  A serene dryad found in Pohjankuru , Finland, dates to around 3000 BC, with only the head having survived to the modern day.  The ash wood ‘God dolly’ found on a wooden track across the Bell Track in Somerset, England, is the (so far) earliest of the British Isles figures, dating between 2285 and 3340 BC (cal.). It’s a particularly interesting one, as despite the diminutive size, both breasts and phallus appear to be carved into it – it is the first obvious display of a recurring theme of emphasising genitalia on these later wooden figures.

The Dagenham figure, from the London of 2250 BC (cal.), is made of Scots Pine, and has a bored hole in the pubic area, where an inserted peg could change it from being female to male. The stern faced yew-tree Ralaghan  figure (cal. 1200 BC) from a good County Cavan peat bog, shares this ambivalent sexual identity, whereas the oak Lagore  figure (cal. 2274 BC),  from the famous County Meath crannog, is void of facial features, but has a noticeable phallus. My favourites, and the most amusing to the modern eye, are the collection of small figures, around 30cm in height, found at Roos Carr, northern England. Made of pine, and dating between 770-400 BC, these little figures have quartz pebble eyes, stand in a snake-shaped boat and came with a little wooden box of detachable pegs which could be inserted into the bored holes in their pubic areas, and their little shields hung on top of those pegs! It’s a bad reflection of the 21st century that all I can think of nowadays with these chaps is Lonely Island’s eminently NSFW video, Dick in a box. I was even caught by a curator singing it to the figures in the Hull & East Riding Museum (sorry again for that, lads!), because that’s the kind of behaviour you expect from this member of Twilight Beasts!


Two of the Roos Carr figures. Worst boy band ever….?

Equally amusing for his lop sided grin is the Danish Broddenbjerg Idol, one of the later figures, belonging to the Pre-Roman era of the Iron Age.  His phallus is made of a large protruding branch, which resembles other sexualised idols from the Braak Bog, in Schleswig Holstein, which also date to the 5th century BC. The craftspeople incorporated the natural shape of the wood to include sexual features within the figures. Faces are occasionally depicted on these Bronze and Iron Age specimens, but is not the primary focus of the objects. They can be male, female, and sometimes both, but they lack the human faces like those of the Mesolithic Shigir figure.


Broddenbjerg figure, optimistically male, found near Viborg Denmark. On display at Danish National Museum, Copenhagen. Photo by Stephano Bolgnini Wikicommons Media Commons Licence.

We can suspect the western European figures are guardians of wetlands and soggy dangerous places, as so many have been found along trackways. Bogs and marshes are what archaeologists call liminal places, in that they are neither solid land nor bodies of water – just think of how Tolkien showed the Dead Marshes as places where life and death got a bit smudgy under the brackish water! Imagine dusk falling, and walking home across a bog trackway, sometime in the Bronze Age; the only noise is the wind soughing in the sedge, and the odd gurgle and plop of ‘something; in the water. They say that when darkness falls, strange lights flicker across the bog, which could lead you to your doom in the rusty-coloured waters – you don’t know yet that it’s methane from decaying vegetation. You just know danger is everywhere. You’d want as much protection as you can get from supernatural beings, to get you home.

All fine and dandy – but why does the ‘protection’ of these figures last from the Younger Dryas, 11000 years ago, right through to the expansion of the Roman Empire across western Europe? Do the later European ones mean the same as the Shigir idols? Does the symbolism even stay the same over those 9000 years?  Certainly, the sexual display aspect seems to be an addition of the Neolithic period , as the early Eurasian ones do not appear to exaggerate any genitals.  Could it be that the wooden figures , from the Neolithic onwards, tried to harness the wild and ancient spirits of the primeval, uncontrolled, un-humanised forests of the Mesolithic? After all, the hunter-gatherers of Shigir would have lived daily with the rawest expressions of nature, with little prudery. The primeval forests of the Mesolithic were part of a landscape which was important to life, providing food and wood for temporary shelters. Only with the concepts of land ownership – and human ownership – in the Neolithic, would deep forests become viewed as utterly fearful places, an arena where human control carried no power.

Could this be why the wooden idols were shown with very obvious genitalia, to represent the part of the human experience which often remains wild at heart, to match the wildness of uncontrolled nature in the Mesolithic?

There’s a fascinating remnant myth from Ireland of the ancestral demi-goddess Tailtu. According to the Lebor Gabála (Book of Invasions), Tailtu was a bit of a Paul Bunyan, several millennia early, as she single-handledly cleared the great ancient forests from Ireland, to allow agriculture to commence for new arrivals to the island. She collapsed, dead, on the hill which now bears her name (Teltown, in County Meath, an area with a wealth of archaeology and legend). She is, therefore, a de-wilding goddess, perhaps illustrating the discomfort of protohistoric peoples with deep, dark forests and trees with gnarled shapes which represented all the things a cattle and sheep farmer really didn’t want around, marking the difference between settled, farming societies and the ancient  hunter gatherer societies.

There is also the aspect of the woods the figures are made of. There’s magic in wood; you knock on it, to wake up the tree spirit, remember, even in the 21st century!   Alder bleeds a red sap, making figures look bloodied. It is a wood which has been used for shield making during the Late Bronze and Iron Ages as well – it bleeds, so you don’t have to. The Kilbeg wooden figure of the Irish Bronze Age (which looks like a slightly animated spine; quite creepy) would have looked quite frightening when fresh, just as the Scottish Ballachulish female figure would have. To the best of my knowledge, there has been no examination of the Mesolithic wood figures to assess the choice of woods for manufacture, or whether it was a case of using whatever was growing. This was the end of the Younger Dryas, and the start of the Pre-Boreal climate phase, when suddenly the land woke from deep freeze, and the open tundra land was colonised by the first post-glaciation  trees. Could the towering nature of the Shigir idol reflect the joy of the Mesolithic people at the tall trees now growing, and the faces represent memories of the wise old ones who got the group through the last cold snap of the Pleistocene.


UCD experimental archaeology displaying Bronze Age-style alder-wood figures, carved with bronze axes by UCC ‘s  Pallasboy project staff, Ben Gearey, Orla Peach-Power and Mark Griffiths )https://thepallasboyvessel.wordpress.com/) December 2016 . Photo by @UCDArchaeology Experimental Archaeology

The Shigir figure, then, may well be a tribal identity symbol, carrying a very different meaning than the later figures. These later figures  appear to have chosen to adopt the guardian qualities of the ancient Mesolithic specimens, but not the incorporation of ancestors into their decoration. Why would you want your farming ancestor’s face in a maenad-ish wood sprite who was likely in cahoots with hunter-gatherers? You may well have wanted the sexy fertility of the wood spirits, and their protection, but placing them in liminal spaces, like toghers on bogs, meant that they weren’t too close to tamed, settled humans, but they still received respect due as ancient things, ensuring that they’d be happy enough in a wild, and uncontrolled place, happy enough perhaps to offer protection….

coles 1990

From Coles 1990, a diagram showing a togher, or trackway, across a bog in Lower Saxony, with two wooden ‘idols’ either side.

We won’t ever know for sure. This is purely supposition based on the stuff that we do know. What we can say is that the longevity of use of these bog idols is remarkable, regardless of how much of their original meaning they kept ( or didn’t) as they moved west across Europe. Trees are iconic things, even into the 21st century, and Marvel’s Guardian of the Galaxy ( and I’m sure of wetlands too!) of Groot – and even he has developed a bit of an attitude in the most recent movies, although certainly not half as wild and uninhibited as the bog idols! These ancient figures do, however, show the complex relationship of humanity with their environment from the Pleistocene onwards, and how trees were as vital to humans, both physically and spiritually, as the megafauna of the past.

Written by Rena Maguire (@JustRena)

A boggy bibliography!

Bond, C. 2010. ‘The God Dolly wooden figurine from the Somerset Levels, Britain: the context, the place and its meaning.’ In D. Gheorghiu and A. Cyphers (eds) Anthropomorphic and Zoomorphic Miniature Figures in Eurasia, Africa and Meso-America. Oxford: Archaeopress/BAR International Series 2138. pp 43-54. [Full Text]

Berbesque, J.C., Marlowe, F.W., Shaw, P. and Thompson, P., 2014. ‘Hunter–gatherers have less famine than agriculturalists’. Biology letters 10. 1. [Full Text]

Brunning, R., Hogan, D., Jones, J., Jones, M., Maltby, E., Robinson, M. and Straker, V., 2000. ‘Saving the Sweet Track: The in situ preservation of a Neolithic wooden trackway, Somerset, UK’. Conservation and management of archaeological sites. 4. 1.  pp.3-20. [Abstract]

Chadbourne, K., 1994, January. Giant women and flying machines. Proceedings of the Harvard Celtic Colloquium. 14. pp106-114 [Full Text]

Chairkina, N.M. 2014. ‘Anthropomorphic Wooden Figures from the Trans-urals’. Archaeology, Ethnology and Anthropology of Eurasia 42. 1.  pp.81-89. [Full Text]

Coles, B. 1990. ‘Anthropomorphic Wooden Figures from Britain and Ireland’.  Proceedings of the Prehistoric Society. 56. pp. 315-333. [Abstract]

Conneller, C. 2004. ‘Becoming deer. Corporeal transformations at Star Carr’. Archaeological dialogues. 11. 1. Pp 37-56. [Full Text]

Dimbleby, G.W., 2017. The domestication and exploitation of plants and animals. London:  Routledge.

Green, M.A., 2004. An archaeology of images: iconology and cosmology in Iron Age and Roman Europe. London: Routledge.

Hukantaival, S. 2009. ‘ Horse skulls and ‘alder horses’: the horse as depositional sacrifices in buildings’ in Bliujiene, A ( ed) Archaeologia Baltica 11: The Horse and Man in European Antiquity, 350–357. Klaipeda: Lithuanian Institute of History Press. [Full Text]

Irsenas, M. Anthropomorphic and zoomorphic Stone Ave art in Lithuania, and its archaeological context. Baltica 13.  [Full Text]

Maguire, R. 2014.  ‘The Y-piece: Function, Production, Typology and Possible Origins’ Emania. 22. pp 77 -99.

Molloy, B., 2009. ‘For Gods or men? A reappraisal of the function of European Bronze Age shields.’ Antiquity.  83. 332.  pp.1052-1064. [Abstract]

O’Sullivan, A., 1990. Wood in archaeology. Archaeology Ireland. 4. 2.  pp.69-73.

Ozheredov, Y.I., Ozheredova, A.Y. and Kirpotin, S.N., 2015. ‘Selkup idols made of tree trunks and found on the Tym River’. International Journal of Environmental Studies  72. 3. pp.567-579. [Abstract]

Potemkina, T.M. 2014. ‘Sanctuary of Eneolithic and Bronze Age in Western Siberia as a source of astronomical knowledge and cosmological ideas in antiquity’. Archaeoastronomy and Ancient Technologies 2. 1.  pp.50-89. [Full Text]

Raftery, B. 1987. ‘Ancient Trackways in Corlea Bog, Co. Longford’. Archaeology Ireland. 1. 2.  pp.60-64. [Full Text]

Smirnova, O.V., Kalyakin, V.N., Turubanova, S.A., Bobrovsky, M.V. and Khanina, L.G. 2017. ‘Development of the European Russian Forests in the Holocene’. European Russian Forests pp. 515-536. [Abstract]

Stanley, M., 2012. ‘The red man of war and death? ‘Archaeology Ireland. 26. 2.  pp.34-37.

Stanley, M. 2006 ‘The Red Man of Kilbeg: An Early Bronze Age idol from County Offaly’ PAST 52. pp 5–7. [Full Text]

Taylor, T., 1996. The prehistory of sex: four million years of human sexual culture. London: Bantam.

Zhilin, M., Savchenko, S., Hansen, S., Heussner, K.U. and Terberger, T., 2018. ‘Early art in the Urals: new research on the wooden sculpture from Shigir’. Antiquity.  92. 362 [Full Text]

Also, worth checking online, https://thepallasboyvessel.wordpress.com

and https://www.facebook.com/groups/UCDExperimentalArchaeology/

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Coming of age:  A review of Life through the Ages


You can pick up the book here.Somewhere between being a teenager and having a child of my own, museums changed. The sense of solemn and elegant wonderment was replaced with lots of ‘accessible’ little cartoon smiley faces on posters and ‘feel me/ touch me’ displays. There was no place any more for the display curator who knew everything, and certainly no room for the professional artwork which was usually placed beside information plaques, showing how the architectural-looking bones would have looked when living and breathing.

These were the days before mobile phone cameras – as a child, I remember each museum visit needed a sketch-book, to copy the artist’s interpretation and then colour them when you went home. Museum visits were joyous and exciting rituals of imagination and learning, and my own feeling (which you may well disagree with if you are younger and don’t remember older museums) is that many changes have been for the worse in modern times, allowing no scope for creativity. They have shunted the input of the ‘expert’ who was omnipresent beside cases and displays. As a child, you learnt how to ask the curators for further information – they were always so benevolent and encouraging, especially to oddball kids who maybe were the first in their families to love ancient things. They were the people you rather hoped you would grow into. When they told you things, oh my, how grown up you felt!

Some sanctuaries remain, which keep the balance of modernity and antiquity of displays – places like Dublin’s ‘Dead Zoo’ (Natural History Museum) , the ground floor of Edinburgh’s National Museum of Scotland, and the  Natural History Museum in London still ‘get’ it.  “Shall these bones live?” TS Eliot asked, and the answer for any heritage or natural history aficionado is that yes, they can, infinitely in imagination, but only when it is shown how marvellous the creatures were in the flesh. My mum and dad used to buy me wonderful books after visits, to encourage my sad attempts at art, and I was inspired by artists such as Zdenek Burian, and his work in Life before Man, and Glut et al’s. Dinosaurs, Mammoths and Cavemen, which showcased the work of Charles R. Knight, illustrator extraordinaire. His influence echoes through the work of modern palaeoartists.

i dig dinosaurs

From Wiki Commons, Charles R. Knight. The artist making a stegosaurus clay model

It’s been my pleasure to revisit that childhood of awe and inspiration in reviewing the commemorative edition of Charles R. Knight’s ‘Life through the Ages’ from Indiana University Press, which was published first in 1946. Knight blended scientific accuracy (only limited by what was known in his era) with a lively and elegant art style to reconstruct in both model and canvass, creatures of the past. The text includes wonderful charcoal illustrations such as a cheerful looking Styracosaurus, a jolie-laide rhinoceros iguana, a too-cute cluster of Glyptodon, armadillo, sloth and Megatherium as the best ever gang, just hanging together beside a fruit tree (can I join? Please?), and a woolly rhino who is enjoying tossing a rather surprised hominid up in the air, far too much. The illustrations are full of verve and character, and will likely have you aching to be a kid and pick up a pencil again.


Hello, kitty! Page 41 of Life through the Ages. Bet a nice cardboard box would have worked for the sabre tooth as well as the little cats!

There is so much charm and genuine warmth from Knight within the text, it is obvious that he never lost his own sense of wonderment at the beasts from not just the twilight of history but the deep dark night. This text is the archaeology of a science, the text which issued generations of wide eyed kids into the natural history galleries of a myriad of museums worldwide, with avuncular kindness. It is hard not to look on this re-issue as a souvenir of all the museums and books which made us do what what we do, be it archaeology, palaeoecology, palaeontology, palaeobotany…whatever takes your core sample.

Of course, the text is dated. We now work with equipment which would have been science fiction in the 1940s, but much of what we built on and questioned, started life as ‘what ifs’ during this period of science. The past few years have proved dramatic for natural history, with much of the old text books being challenged or replaced. Przewalski’s horse is now known to be an ‘escapee’ from domesticity, meaning that there’s an earlier ancestor out there. We now know that dog domestication was earlier than we once thought too. Our own @deepfriendDNA, Ross Barnett, can relate many new findings on the Great Cats. Perhaps the reason to purchase and read this book does not lie in its accuracy for the 21st century. Perhaps it lies in remembering the child who caught sight of their first dinosaur fossil, or who wondered what the Cambrian seas were like. This is a book of memory and enchantment, our own childhood passions rekindled.

I suspect it has not just been me who feels this way. The equally gentle and gracious foreword by the late Stephen Jay Gould,  formerly of Harvard University, is bathed in whatever the palaeontology equivalent of a 1970s Kodachrome photo is; all is suffused in a wonderful, golden retro light. Philip J. Currie of the Royal Tyrell Museum of Canada adds some updates to the text, making me certainly feel this would be an ideal book to buy after a day at a museum, and read with kids beside you, be you mum, dad, aunt, uncle or whatever. Equally, buy it for yourself, share it with the very young you of a couple of decades ago, and prepare to just smile the whole time.

If you do buy it, could I make a suggestion? Buy a sketch pad and some pencils with it, for you or a young’n. It’s Easter, you might have a couple of days to chill out.  Make like it is 1956/66/76 again and sit and draw whatever takes your fancy in the museums. Be inspired how good it feels when science and art combine. It doesn’t matter if you’ve kids with you, or not – just go back and remember awe and amazement and fun.  I’d suspect that the sage shade of Charles R. Knight may well be hanging round, nodding approval….

Written by Rena Maguire (@JustRena)

Further Reading

Barnett, R., Sinding, M.H.S., Vieira, F.G., Mendoza, M.L.Z., Bonnet, M., Araldi, A., Kienast, I., Zambarda, A., Yamaguchi, N., Henschel, P. and Gilbert, M.T.P., 2018. ‘No longer locally extinct? Tracing the origins of a lion (Panthera leo) living in Gabon’. Conservation Genetics.  pp.1-8. [Full article]

Czerkas, S. and Glut, D. 1982. Dinosaurs, Mammoths and Cavemen. London: Dutton

Gaunitz, C.,  Fages, A.,  Hanghøj, K.,  Albrechtsen, A.,  Khan, N.,  Schubert, M.,  Seguin-Orlando, A.,. Owens,I.J.,  Felkel, S., Bignon-Lau,O., de Barros Damgaard,P., Mittnik,A., Mohaseb, A.F., Davoudi,H., Alquraishi, S., Alfarhan, A., Al-Rasheid, K., Crubézy, E., Benecke,N., Olsen,S., Brown, D., Anthony,D., Massy, K., Pitulko,V., Kasparov,A., Brem,G., Hofreiter, M., Mukhtarova, G., Baimukhanov, N., Lõugas,L., Onar,V., Stockhammer,P.W., Krause, J., Boldgiv, B., Undrakhbold,S., Erdenebaatar, D., Lepetz, S., Mashkour,M., Ludwig, A., Wallner, B., Merz,V., Merz,I., Zaibert,V., Willerslev,E., Librado,P., Outram,A.K and Orlando, L.  2018. ‘Ancient genomes revisit the ancestry of domestic and Przewalski’s horses’. Science. [Abstract only]

Phillips, J.B., Smith, S.A., Johnson, M.L., Abbot, P., Capra, J.A. and Rokas, A., 2018. ‘Genome wide association analysis identifies genetic variants associated with reproductive variation across domestic dog breeds and uncovers links to domestication’. bioRxiv, [Full article] available at: .

Spinar, Z. and Burian, Z. 1972. Life before Man. London: Thames and Hudson

Blaschka models: http://www.thejournal.ie/blaschka-models-3884516-Mar2018/

National Museums Scotland: https://www.nms.ac.uk/collections-research/collections-departments/natural-sciences/

Natural History Museum: http://www.nhm.ac.uk/

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